(Soundsmang has aįunny enough, Roland Cloud does not have a separate chorus rendition for their own Juno recreation, but I do appreciate that the chorus has found its way onto their Boutique Series hardware and software, both, among other effects.

I’m risking people telling us there are ten more on comments, but… wait, that’s cool. I think I’ll use the Arturia on Mac and Windows and I’m grateful for the TAL on Linux, so there. (It is available with stereo input only, not mono, but of course you can just route a mono input to both channels in your host.) It also doesn’t have the manual controls. This also has a dry/wet control, but in lieu of the mono/stereo switch has a stereo width control. They even have an old version with 32-bit support – plus an experimental Linux build. TAL also made a break-off chorus effect from their Roland emulation (the U-NO-LX) and release it for Mac and Windows. I could do an elaborate A/B comparison, but you should see which you like better, as your ears are the ones that matter, right? Maybe I-ish, maybe II-ish, maybe something else-ish.īut wait, while we’re at it – let’s get a second chorus plug-in. If it is a sound, feel free to add chorus to it and see if it sounds better. What is that for? Literally, anything you want.

You don’t really need to know anything, which is the whole beauty of the thing. The design here does give you what you need, with separate rate, depth, and phase controls if you want to adjust manually, plus variations I, II, and I+II as on the original, plus a MIX control to adjust to taste. Somehow, Arturia has made a fifteen-minute tutorial about this but … honestly, just go grab the plug-in and slap it on some stuff and see how it sounds. Mac + Windows, VST2 + VST3 + AU + AAX (64-bit only), through December 29 (next Tuesday): You don’t need to remember or understand, either. There’s a I button, a II button, and you can combine them for… a third variation that is both I and II, somehow. The analog Bucket Brigade Delay chorus on the Roland Juno-6 / -106 and -60 is part of what gave Roland’s synth a distinctive sound. Just translate that as ten reasons it’s cool and lose the “greatest” part and it all works.

*There’s also an elaborate long-read write-up on all things Roland Juno from Attack, where they claim this is the greatest synthesizer of all time.

Roland juno emulator mac